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Things aren't what they seem, wondrous sites are beheld, and danger lurks around every corner.
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IV – A New Hope, the hero receives help, guidance, advice, or supernatural aid from someone who has been on this kind of journey before.Ĭrossing the threshold – The hero enters a strange, special world in which everything is upside-down and backwards. Meeting the mentor – Like Obi-Wan Kenobi in Star Wars: Ep. Either way, even if it only lasts a second, there should be a moment where the hero looks back at where they came from and reflects on the consequences of moving forward. Sometimes they jump at the chance, sometimes they have to be dragged kicking and screaming. Refusal of the call – The hero considers whether to accept the invitation or not. Sometimes it's the hero saying "I need a change," and sometimes it's the universe telling them that they need to change.
Approach to the inmost cave meaning full#
They need to change in order to reach their full potential.Ĭall to adventure – The hero receives an invitation to an adventure that promises a reward, and will ultimately change them, hopefully for the better. They are usually discontent…or if they are content, it's for the wrong reasons. Stasis – The hero is shown in their version of the "ordinary" world. This also leaves room for their journey to continue as they face more trials, and ascend to even higher planes in the future. I believe it makes more sense to draw it as a spiral, because while the hero ends up where they began-either literally or figuratively-their journey has forced them to grow and change, so they ascend to a higher plane of existence. Most of the time you see the hero's journey drawn as a circle the hero ends in the same place they started. Below is an adaptation of Vogler's take, which is the version most commonly used today, but with one big change. The hero's journey is an analytical expression of what we often see as "just good storytelling," so it makes sense that elements of it would appear in the most engaging or award-winning ads produced today, even if creators are using it unintentionally.Ĭampbell's original 17 stages have often been adapted and condensed to suit our modern story craft sensibilities, most notably by Christopher Vogler in his book The Writer's Journey: Mythic Structure for Writers. I myself have recognized the monomythic structure quite a lot lately in advertising. Campbell felt that this primal story was so ingrained in humanity's collective psyche that he could find it, or elements of it, in the myths and oral traditions of every culture around the world.
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Popularized by Joseph Campbell in his book The Hero With A Thousand Faces, it's a collection of stages that a protagonist, or "hero," goes through in order to obtain a goal, and hopefully transform in the process. The hero's journey, or monomyth, is a well-known template for story design.